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Everything's Bad And I'm Angry

by Sam Gleason

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1.
Wasn't You 03:53
Magnify the blame with over-exaggeration You may not be sane, so I'll try my best to be patient But you're making up stories inside of your head An image of perfection you're so keen to protect Standing on the kinder folks' weaker skulls Till you break their spines for your pedestal CHORUS: It wasn't you, no, no, no It couldn't have been you no, no You want to be a perfect man You want to lead the whole damn clan So as far as you're concerned It's somebody else's fault Lock your mistakes in a vault Attention-seeking, pretentious being Just a bit of delusion Can't point at you 'cause when the day is through You'd rather blame the innocent You can share the guilt or cause a tilt In the equilibrium Or you can duke it out for the louder shout In your stone cold colleseum CHORUS There's a war if you persist Did you think that these people wouldn't resist? No more scapegoats, just your fist Losing all your trust Losing all your rights There's a war if you persist Did you think that these people wouldn't resist? No more scapegoats, just your fist Losing all your trust Losing all your rights Losing all your trust It wasn't you, no, no, no It couldn't have been you, no, no It wasn't you, no, no, no It couldn't have been you, no, no CHORUS
2.
CHORUS: I'm so in love with you I'm so in love I'm so in love with you I'm so in love But a simple trigger word and we begin to curse and shout If love is such a simple thing, why do I want you out? Hiding behind furniture Throwing different light fixtures Cut your feet on shattered glass that's covering the ground The war has gotten physical, no sight of dying down She hates me, I can't stand her But we both have this thought lingering around CHORUS Twisted words and dynamite and the peace comes to an end Empty bottles of Coors Light make the perfect ammunition One projectile flew through the air, hit me in my face and broke I fell on my back then and there and began to have a stroke The ambulance is on its way She's crying, tries her best to pray I made it back into this world because I heard her say CHORUS I look up at her, red hand mark on my face Can we really be surprised we are back in this dark place? She's swinging a pan at deadly force I threw a blender at her as my retort Now she's got the kitchen knife and I've pulled out my gun I can't remember which one of us caused this situation She looked me in the eye I thought she'd calm us down Then lunged at me brandishing the knife Screaming a curdling sound I pointed and I aimed and I pulled the trigger Yeah, I had my safety, but I'd lost something bigger I took her body to my side Held her in my arms and cried CHORUS
3.
Poster Child 03:07
Decent men leaving while they still have a chance Empires falling for the good and the bad Both the blue and the red will fight till they're dead But not till long after the world's gone mad The kings cannot stop all the spilling of blood No leader comes out with hands clean of the mud Desire for the house of white inspires all these mindless fights Everyone can sense the impending flood Who appointed deities To decide what gets released Who gets the bigger piece And what nobody sees? CHORUS: Three giants with their armies behind them Struggle to find a reasonable alliance Everything's political Everyone's so critical Everyone's condemned for a different defiance The greatest threat we are forced to face Is not angry protesters with cans of mace Should we continue this brawl Divided we fall And our home will become a desolate place Using fear or oppression or the right to the throne Skeletons in closets that may not be known With the words that drive people out of their minds Everyone speaking in a desperate tone You can cater to visions of reality To different ways of seeing what it means to be free But if the actual change is within your range Well, that's something everyone would like to see CHORUS Who's the poster child For a life worthwhile? CHORUS
4.
The walls are bending And everything's ending Left behind in the dust This building's frame Has a lot to its name With memories written into the rust It's best you just ignore all the red lights Don't pay any mind to the zeitgeist Leave this crippled home behind O, ease your troubled mind CHORUS: I need this house removed It puts me in a sour mood I faced my darkest days In this house before I moved away The ghosts are resting And manifesting My vision with memories of Angry words and fisticuffs I can see you I can see you Always driving me to be on the move It's best you just ignore all the red lights Don't pay any mind to the zeitgeist Leave this crippled home behind O, ease your troubled mind CHORUS: I need this house removed It puts me in a sour mood I faced my darkest days In this house before I moved away In this house before I moved away In this house before I moved away
5.
Global Grave 03:07
Calling all you nations We've lost all our patience We're all on probation A road to devastation Time is flowing backwards Progress seems to stagger Pitchforks and the daggers Change present into after CHORUS: Yes, we're fucked, so we'll just wait Till it's time to bring the change Hate will make it's last stand Then die with all the rest and We'll have the world in our hands And start the reconstruction CHORUS The year is 2048 The millennial run the United States The world has suffered a horrible fate So it's time to bring us back from this global grave Yeah, we're coming back from this global grave
6.
Everything will be okay.

credits

released September 1, 2016

Recorded at Low Watt Recording Studios
Produced by Brendan Kelly, Sam Gleason, and Sean Kelly
Written by Sam Gleason

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Sam Gleason Albany, New York

Involvements:
¡HA¡
The Weird Apples
DeadLight Poets
Olsen Court

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